MOVIE & TV
Gore Verbinski’s Good Luck, Have Fun, Don’t Die has energy, ideas, and a terrific Sam Rockwell performance at its center. Its mix of AI anxiety, time travel, and comedy makes for an entertaining ride, even if the anthology-style structure keeps interrupting the momentum and dulling the film’s sharper potential.
reviews
War Machine is entertaining and instantly forgettable. Alan Ritchson does a lot of the heavy lifting here as a grief-stricken Army Ranger candidate thrown into a brutal fight against a giant alien machine. It feels familiar, but once the robot shows up, the movie finally kicks into gear.
HORROR
Night Patrol feels like the writer saw Sinners, nodded very seriously, then forgot to do the homework. It is clearly trying to be adjacent to that same gritty social horror lane, but the writing and direction are so dreadful that most of the cast cannot bring the story to life.
MOVIE
Jason Statham’s Shelter delivers exactly what you expect. A brooding loner, a child in danger, and a shadowy agency. It is watchable, but never quite strong enough to rise above its own familiar formula.
MOVIE & TV
The Rip feels like one of those movies you randomly throw on at night and end up way more locked in than you expected. It has strong early-2000s cop thriller energy in the best way.
MOVIE
Avatar: Fire and Ash may be familiar territory, but James Cameron’s latest return to Pandora proves that repetition is not a flaw when world-building, emotion, and myth still resonate.
reviews
There are points in novels where a writer’s enthusiasm spills past the edges of the story. Sometimes it comes from passion, sometimes ambition, sometimes a desire to make the moment bigger or deeper than it needs to be. Whatever the reason, you can sense when the scene stop feeling natural.
reviews
Zootopia 2 is a funny, and beautifully animated sequel that brings Judy Hopps and Nick Wilde back into a fast paced buddy cop mystery filled with heart, humor, and stunning world building.
