The word that will likely be used most often to describe Neill Blomkamp’s “Elysium” is “thought-provoking.” Expect a whole lot of variations on the words “social commentary” and “dystopia” too. Whatever big words you apply to the result, Blomkamp did not approach this sci-fi tale with modest aspirations, and it’s his ambition, along with the top tier special effect artist with whom he collaborated, that makes this underappreciated movie the spectacle it is.

While “Elysium” doesn’t reinvent the genre, it adds enough themes about class disparity and social injustice to flavor its old-fashioned storytelling. More than a just an action movie, “Elysium” is a reminder that science fiction can be done with creativity and style.

In the year 2159, two classes of people exist: the very wealthy who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined Earth. Secretary Rhodes (Jodie Foster), a hard-line government official, will stop at nothing to enforce anti-immigration laws and preserve the luxurious lifestyle of the citizens of Elysium. That doesn’t stop the people of Earth from trying to get in, by any means.

When unlucky Max (Matt Damon) is backed into a corner, he agrees to take on a daunting mission that, if successful, will not only save his life, but could bring equality to these polarized worlds.

Blomkamp and his team fill the film with sequences that counter the stark contrast between the affluent Elysium and the devastated Earth. The visuals of Earth’s desolation and Elysium’s opulence create a nearly operatic contrast. Amidst the chaos, Sharlto Copley’s Kruger is a villain who is equally menacing and convincing, adding a layer of unpredictability.

As the battle between Max and the forces of Elysium serves as the backdrop, the film’s central themes of inequality and social justice play out in the foreground. Max’s journey from a desperate man to a potential savior of Earth’s downtrodden masses is heartfelt. Alice Braga’s Frey adds emotional depth to the story, highlighting the personal stakes involved in Max’s mission.

The interstellar politics and class struggle in “Elysium” are underscored by the writers’ injection of social commentary. Secretary Rhodes’ ruthless enforcement of Elysium’s policies and the residents’ indifference to Earth’s suffering is shadowing real-world social and economic disparities. “Elysium” constantly questions the morality of such a divided society and challenges viewers to consider the implications of unchecked inequality.

While “Elysium” is a commentary about social inequality, its greatest assets are once again on a crafted level. The visual effects and production design are stunning, creating a believable and immersive future world. The sound design and score add to the film’s intensity, while the action sequences are choreographed with precision and creativity.

As for performances, Damon is solid in his role as Max, delivering a grounded and relatable performance. Foster’s icy portrayal of Secretary Rhodes is effective, though somewhat one-dimensional. Copley, however, steals the show with his unpredictable and menacing performance as Kruger, providing a formidable adversary for Damon’s Max.

“Elysium” has been compared to Blomkamp’s earlier work, “District 9,” and while it may not reach the same heights, it stands on its own as a sci-fi film. Like “District 9,” “Elysium” uses its futuristic setting to explore contemporary social issues.